Beze mnie sie nie zgubisz

You won't lose yourself without me.

In the depths of the dreaming forest

You will find me there

I'm your wicked burden

I'm your childhood treasure

You won't find yourself without me

You won't lose yourself without me


Video for one projector on wall.
Performance for a camera.
Made together with Bartek Zygmunt-Siegmund.
No sound.

Recorded in the forests of Goczałkowice Zdrój in Poland.

Dreamin Garden - Poem of Love

Music video to the song Poem of Love by Dreaming Garden.

Lyrics, music, singing harmony singing and piano: Josefin Berger. Violin, string arrangements and harmony singing: Camilla Hedner.

Video made by Diana Rönnberg.

Recorded in Sweden: Kungsbacka, Fjärås and Göteborg.

Wrzos/Heather

Film stills from video-installation Melancholy

Wrzos/Heather.
Exhibition in ON Gallery, Poznań Poland.
Curator: Magda Komborska
Participants: Katarzyna Majak, Tomasz Siuda and Diana Rönnberg

Du bist der nächster

Watch the movie here:

http://www.youtube.com/watch?v=WgF2LenAmOY&feature=context&context=C3e68b84ADOEgsToPDskLzrEO_TqZ-Xzqswqxi3Erx

Video with sound for 1 projector on wall.

Cast: Katarzyna Seweryn, Izabela Wrońska, Diana Rönnberg, Magda Radwan.
Music: Kordian Lewandowski.

Ucisz burzę w sobie/ Hush the thunder in you.

Motion-stills from a video installation,
made for one projector on wall.
Black & white,
sound,
duration: 04.13 minutes.
cast: Karolina Żuraw

The Eyes (Oczy)

Video-installation made for a public space.
The eyes are observing the sleeping city at night.

Remains (MFA work)

Where do our dreams disappear? Have they got their own place in heaven? Photography is a domain that cooperates with memory in a very special way. We build the identity of our recollections by means of memory, but photography offers the world that is smooth and aesthetic. The question remains: is reality smooth? The work entitled Remnants shows my attitude towards photography, life, passing, memory and death. It forces a viewer to wonder what photography is and how it has changed over the years of its existence. How does it differ from other art domains? Is photography or a photographer able to reflect reality? What is a photographed subject? What is reality? The figures of dolls come from the so-called ‘family zone’ from albums that I found and bought in various second-hand bookshops. The figures are pulled out of their primary context, depicted individually, in a new context, in the scale of a human. I don’t know any person from these photographs; I have no idea who these people were, what their names were and how they lived. I can only know what I can see, what photographs can suggest me about them. They’re like physical ghosts. The framed landscapes are photographs that I took when I was in Poland and Sweden. The breaking film of the landscapes of my memories exposes the smooth illusion created by photographs, and reveals the fragility of human memory. The film is inspired by the Courbert’s painting The Artist’s Studio. In the film, alive and dead people mix together and pose for a photograph, trying to stand motionless.